I rarely save obligatory tourist sights for my last day when traveling in a new city. And this is a rather difficult feat for me, provided that I am, by nature, a procrastinator in all other aspects of my life. I quit procrastinating in travel, however, after my recent trip to Barcelona—a city that I must revisit since I left without ever laying eyes on Parque Guell. I saved that monumental attraction for my final day in Spain, spending the rest of my time (and money) on binge drinking and partying down by the notoriously shitty beach. I planned to visit Picasso’s masterpiece on June 31st, before flying out to Prague. But the 31st never came because there are only 30 days in June, and thus I left the city with a month-long hangover, very little cultural enrichment, and hardly and cash.
Since then, I have made it a point to get my sightseeing done first. But due to the limited space and late reservations, I was forced to save the London Eye experience for the last night of my trip…which turned out to be a huge blessing in disguise, because it was the perfect note to end my trip upon! I also indulged in one of the most incredible meals of my life after seeing the beautiful views of London from the top of the Eye.
Where did I dine, you ask?
9 Conduit Street in Mayfair, London.
If you are into food, art, fashion design, or architecture, then you may be familiar with the address. The opulent townhome has served as the headquarters for the Royal Society of British Architects, the atelier of Christian Dior, and is currently home to the 2 star Michelin-rated French restaurant run by Executive Chef, Pierre Gagnaire.
Even if French food isn’t your cup of tea, if your pockets are deep enough, I suggest that you at least pay a visit to check out the unique ambiance. The décor is parallel to none; with each room in the space taking you on a journey that is evocative of trippy dream. There are three different dining rooms—each one offering a different menu and price point—as well as two ultra posh cocktail lounges. The whole venue is a riot of color and an onslaught to the senses. But the loud and quirky design makes this Michelin restaurant feel, dare I say, comfortable?!
After studying all of the menus, I chose to dine at the Gallery, which is the more informal restaurant space with more reasonably priced menu items. British artist, Martin Creed, has transformed the space into a serviceable museum of modern art with eclectic chairs and one-of-a-kind dinnerware.
To start, I ordered the Chestnut Velouté with white truffle oil, and pan-fried squid sautéed with garlic and cherry tomatoes (£15). It was velvety, rich, and every bit delicious. I cleared the bottom of my bowl with the trio of freshly baked breads that were brought to the table (£4).
The second appetizer that I tried was the Dublin bay prawn tempura with haricot beans and aubergine, accompanied by an Osframpi sauce (£25). The prawns were delicious but sadly, there were only three of them—typical French portions! I didn’t expect the vegetables would also be deep fried, and I found them a bit bourgeois in contrast to the otherwise haute cuisine. The osframpi sauce was magical, however, due in part to the fact that I’ve never tasted one before. Essentially, it is a puree of wild berries balanced with some sort of lemon acidity to cut the sweetness. I did not use it for the prawns, but rather as a spread for the breadbasket.
For my entrée, I ordered the Cannon of lamb roasted en crépine, Niçoise socca, swiss chard pomponette (£28). The lamb was cooked to perfection and the sauce dressing the plate was to die for, but I have had better cuts of meat before. I cleared the plate none-the-less, which easy to do at a French restaurant—oftentimes in just two bites!
To accompany my main dish, I ordered a side of the homemade pumpkin and chestnut gnocchi (£6), which were fabulous. They were so delicate with all of the vegetables minced into perfect little cubes, and the pasta was browned on the outside and tender and chewy on the inside.
There was little hesitation when it came to choosing a dessert; naturally, I opted for the chocolate one: Sketch Chocolat, which is a dark chocolate box filled with vanilla cream, nougatine, dried fruits, caramel syrup and coffee genoise. On the side, of the box was a little shooter filled with pistachio ice cream with pineapple and mango coulis (£10). I also got the suggested after-dinner drink, The Whisk Away, made with Laphroaig Whisky and Kalua (£7). The coffee notes in the dessert and cocktail complimented one another beautifully.
All in all, Sketch is about the experience: the art, the atmosphere, the service, the exotic bathrooms! Sure, the food is very, very good, but it is the ambiance that is over-the-top. I would certainly return, possibly in some high heels next time, with slightly lower expectations of the food.
TheGrubDaily 